These were 10 and 20-minute studies from the Tuesday at Artists 25, where S- was working. (the middle one is the 20).
Once again, I tried the distortion experiment of `crunching' the top part of the page as I saw it seated, and it did yield some slightly better proportions.
Olga, who took some classes with me, asked why I didn't just work at an easel. My only answer was laziness - I like to sit down. But that laziness comes with a price, which is inherent distortion in the drawing as it is being done.
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