Sunday, August 28, 2016

Summary Report: Toned Papers, Part 1

Toned Papers, Part 1:
For some time I have been exploring alternatives to drawing on newsprint. I found that for my sensibilities, drawing with Conte crayon on large sheets of newsprint had an ideal texture for direct figure drawing. But the newsprint has no longevity. 
Earlier this year I began experimenting with adding washes of ink to better quality paper to draw on. This came in  conjunction with finding an oil-base pencil, Cretacolor Nero, whose marks I liked: they are less coarse than Conte and `smoother’ than charcoals.
The early ones I’ve been doing used more muted greys with small amounts of colour mixed in, echoing the newsprint look that I have a fondness for. Also, black marks look less stark when there is some underlying midtone, rather than white paper.

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