On the Wednesday night I took another stab at the Gladstone's Art Bar drawing session. This time it had been bumped into a slightly smaller upstairs room. The overloud (at least for neurotic me) jazz music was still in effect.
Paris was working that night, and these ate some 3-minute and 5-minute studies, done with brushpen on 18 x 24" sheets of cartridge paper.
For the 5-minute ones I was getting reoriented with the specifics of Paris' head and face. I find the first part of any session is a process of easing into a connected working headspace.
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